I Owe George Lucas An Apology

As a kid who grew up with Star Wars – having watched the original on the big screen at the ripe age of 8, I was somewhat aghast when, years later, director George Lucas deigned to “monkey” with the original trilogy in 1997 (and subsequently in 2004, 2011, and 2019).

A film, it seemed, was a complete and unique thing; every film (and of course, every play for that matter) has its flaws, but the fans are fans because of the way the story is told, even if the storyteller later looks back and figures “I could have said that better.” We love movies like we love our children (them that have ’em): flaws and all.

So, it is with some chagrin that I now admit that I understand Mr. Lucas, just a bit.

Back in 2013, while in the middle of a protracted-term of unemployment, I decided to put my copious free time to use by video-recording my classmates and instructors at Aikido of Madison, the dojo where I have now practiced for the better part of twenty-three years. With the dojo’s 30th anniversary looming in 2014, I leaned head-first into the ambitious task of filming, editing, and producing a full-length documentary to be shown, initially, at the ensuing celebration.

While I did screen a very rough-cut version of “dojo: the story of an American aikido school” for the anniversary, the project was never fully finished. For a variety of reasons, having to do with technology (the personal computer kind), economics (also the personal kind), and life events (definitely personal), it had to be shelved.

How quickly a decade can go by, right? This year, Aikido of Madison celebrates its 40th Anniversary! In preparation, I was approached by colleagues to show “dojo” at THAT celebration; it seemed like the perfect excuse to follow through and finish it.

Not only did I finally clarify the last section of the film, which had been left in a “patchwork” state, and get the run time down from 01:05 to 00:45 min, but along the way I took time to clean up photos and clean up audio that I must admit I wish I had taken pains to record more clearly when I was on location in the moment.

“dojo” in the Final Cut Pro editing environment

I now understand Lucas’ joy at being able to use more modern tech to clarify details and improve the viewing experience.

And, let’s face it, technology has come a long way in a decade. My principal edits were done on a 2007 Mac Mini and then a 2014 iMac with an external 4TB HDD connected via Firewire 800. These past few months I’ve been working on an M1 Mac Mini with 16GB memory, a 1TB HDD, and an external 4TB SSD connected via USB-C. Not to mention, Final Cut Pro X is a much more streamlined and efficient application – paired with the fact that my familiarity and skill with it has improved ten-fold.

The result is a film (ok, video 🙂 that, while not perfect, is many times better in quality, and is about 90% of what I had originally envisioned 10 years ago.

At this writing, I’m finishing up Close Captioning, and making some minor, last-minute tweaks. I hope to release “dojo”, free on YouTube within a week.

Technical Difficulties

It seems I’m a bit over-due for an update. As usual, there’s bad news and good news.

First, the bad news: “dojo” will not be in the Wisconsin Film Festival.

I am bummed about this; but, I think the way things worked this past year, there was simply no way to get the film to the state that it really needed to be in to make the cut (so to speak).

Some of you may recall that after eight months of shooting, I dove into editing nearly full time last summer; in trying to get a rough draft ready for Aikido of Madison’s 30th Anniversary party on Aug. 3, I ran head-first into a technical wall: my aging MacBook Pro simply could not handle the amount of data I was pushing and pulling to hard disk as the project grew.

Due to my economic situation, it took the better part of four months (and a little help from my parents) to remedy the situation. But, this left precious little time before the December 3rd festival deadline, and although they allow the submission of “rough draft” iterations, by the time I had the new iMac on hand, I did not have the time to get the film in the proper state for a successful submission. What I submitted was simply too rough.

It has taken the better part of the last two months to get myself over the disappointment and back to a head-space where I could once again tackle the work of completing the film.

And that’s the good news – it will, eventually, be finished. To jump-start the process, I decided that it was high-time I made another trailer, more up-to-date with where the film is currently headed in its present iteration.

I think this new trailer is really exciting; I had a ton of fun making it, and it has really helped me “dust off the cobwebs” and brush aside some of the hurt and disappointment of missing the Wisconsin Film Festival. I am determined more than ever to see this through and edit “dojo” into a really enjoyable and informative documentary.

Give the new trailer a spin, and feel free to leave comments on the YouTube page.

As always, thanks to the entire Aikido of Madison family for their support, patience, and willingness to participate in this project.

– stephen

March 30, 2015

Lower 3rds

Editing has begun! And now, lots of decisions to make – where/when to cut, what to cut-to, and how to make everything visually hold together; one hurdle near completed (I think): design of “lower 3rds” (industry lingo for text identifying speakers):

image of John and Robin sensei's with lower-3rds graphics

first test of lower 3rds, left and right simultaneous w/ two-shot

 

 

 

 

 

 

 

 

Graphics created as “titles” in Apple Motion 5, and published to Final Cut Pro with editable parameters.

Is the samurai  sword-blade effect subtle enough?! At this point I think the design will work; I’ll see how it bears out across the rest of the editing process.

Music to my ears…

And we have a composer!

I am pleased to welcome on board Graham Marlowe. A Green Bay area native, Graham has recently come home to Wisconsin, and after a stint in Milwaukee, moved to Madison. He and I connected via a Craigslist post he made seeking artistic connections. With years of keyboard and composition experience under his belt, he’s looking to augment playing with a local band by moving into doing more film scoring.

You can read more about Graham here: https://www.facebook.com/grahamfever/info.

He will be creating original compositions for “dojo”; as a taste of what’s to come, he has given me permission to use his track “Refraction” to underscore the “slo-mo” teaser – just posted to YouTube:

https://www.youtube.com/watch?v=EUhsgr7E87k .

I’m thrilled to have another artistic collaborator as I move towards shaping the final production of “dojo”!

Here we Indiegogo…

I am throwing my hat into the “crowd-funding” ring – today I’m launching an Indiegogo campaign to raise $5,000 (maybe more?!) for “dojo”!

You can view the campaign here: https://www.indiegogo.com/projects/dojo-the-story-of-an-american-aikido-school

Please donate if you are able – but more important, please SHARE WITH YOUR NETWORK! (sorry for the shouting)

And now, back to the footage reviewing (six interviews down, eleven more to go…)